Page 48 - BSAM 2017 Q1

Top; A Japanese tokonoma, a special alcove for displaying art.
Bottom left; Vertically aligning the painting on the scroll.
Bottom right; Slowly removing the partially completed scroll from the drying board.
The same is true for removing it and rolling it up for storage. This new book clearly illustrates these processes including the correct way to tie a rolled scroll. De Lange provides guidance on the number of scrolls to display at one time in a room and reminds us of the importance of maintaining harmony between the various pieces displayed in a tea ceremony.
e nal major section of this book is devoted to the cra of scroll making. It features master scroll maker Teruo Takayanagi in the step-by-step process used in making ne scrolls. is section is generously illustrated with photographs; the details of the process are vividly presented in a way not seen in any other volumes on scrolls. A useful glossary of terms used in the book and both English and Japanese language reference sources conclude this valuable work.
This is not an ordinary book for two reasons. First, the content is excellent and the blend of a concise, clearly written text is superbly complemented with numerous excellent photographs and drawings. Next, the layout and design of this book comes from someone who truly loves books and Asian arts. It is truly superior. The combined efforts of William de Lange, author, and Ray Furse, publisher have produced a valuable book on a largely overlooked aspect of Japanese art for English reading audiences.
46 | BCI | January/February/March 2017